|
|
|
Family in an Orchard Painting ID:: 54288
|
Theo Van Rysselberghe Family in an Orchard mk235
1890
Oil on canvas
115.3x163.5cm
|
|
|
|
|
|
|
|
signac on his boat Painting ID:: 71124
|
Theo Van Rysselberghe signac on his boat mk290 1896 canvas 36x44in private collection
|
|
|
|
|
|
|
|
Portrait of Madame Charles Maus Painting ID:: 72060
|
Theo Van Rysselberghe Portrait of Madame Charles Maus 1890(1890)
Oil on canvas
142.24 cm X 119.38 cm
cjr
|
|
|
|
|
|
|
|
Portrait de Madame Charles Maus Painting ID:: 73447
|
Theo Van Rysselberghe Portrait de Madame Charles Maus Date 1890(1890)
Medium Oil on canvas
Dimensions 142.24 cm X 119.38 cm
cyf
|
|
|
|
|
|
|
|
Madame Von Bodenhausen avec son enfant Luli , Painting ID:: 73809
|
Theo Van Rysselberghe Madame Von Bodenhausen avec son enfant Luli , ThXodoor van Rysselberghe (1862-1926): Madame Von Bodenhausen avec son enfant Luli , Oil painting, 1910
cjr
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
Theo Van Rysselberghe
|
Belgian Pointillist Painter, 1862-1926
was a Belgian neo-impressionist painter, who played a pivotal role in the European art scene at the turn of the century. Born in Ghent to a French-speaking bourgeois family, he studied first at the Academy of Ghent under Theo Canneel and from 1879 at the Academy of Brussels under the directorship of Jean-François Portaels. The North African paintings of Portaels had started an orientalist fashion in Belgium. Their impact would strongly influence the young Theo van Rysselberghe. Between 1882 and 1888 he made three trips to Morocco, staying there a total of one year and half. Barely 18 years old, he already participated at the Salon of Ghent, showing two portraits. Soon afterwards followed his Self-portrait with pipe (1880), painted in somber colours in the Belgian realistic tradition of that time. His Child in an open spot of the forest (1880) already departs from this style and he sets his first steps towards impressionism. |
Related Artists::. | Laurent Pecheux | Horace Aumont | BATONI, Pompeo | |
|